Thursday, October 24, 2013

Wednesday, October 23, 2013

Keep Shelly in Athens "Time Exists Only To Betray Us"

The lead track on the solid debut LP, At Home


Frankie Rose - Herein Wild

I love Frankie Rose's style of pop music. Herein Wild is a lock for the "Best of  2014" list, which is high praise in a year replete with deserving candidates.


Miles Davis - On the Corner

That future-sound/ next-level shit that you didn't know Miles Davis did.


Roy and Diz "Sometimes I'm Happy"

A cut from a great collabo record:


Milo, Busdriver and Nocando "Manchester"

I envy that square cuz a filter is what i'd kill for 


Hot Sugar "Leverage" (ft. Kool A.D., Fat Tony, Lakutis, Nasty Nigel)

This is like when Picasso did paintings the "normal" way to prove that he could, thus making you appreciate his own style even more.


Lakutis "I'm Better Than Everybody" ft. Kool A.D.

I'm Nietzsche, ho


Monday, October 21, 2013

Parquet Courts - Tally All The Things That You Broke

Have we thought about electing the Parquet Courts? Seriously. While our government was fuckin' around and doing nothing, these "slackers" were working hard to make us happy.

The outcome of their hard work is a wildly successful EP. Tally All The Things That You Broke, strikes that perfect balance that eludes so many bands by being a perfect and obvious continuation of their style while also introducing new elements to keep it exciting.  The best example of this is the Beck-inspired, apartment-door-buzzer-sampling "Seeing Paths", about a day in the life of a weed (?) dealer.

Always whip-smart, always entertaining, always there when you call. I fuckin' love the Parquet Courts.

4 more years! 4 more years!

I'm Ripped Off Radio, and I approve this message.


Pusha T - My Name is My Name

In many ways, Pusha T's lastest release My Name is My Name is the polar opposite to the Drake release. Where Drake favors the intimate and the sad, Pusha favors the the malicious and the ferocious. MNIMN, however, is one of the few rap records this year that matches the emotional output of NWTS, albeit in different manifestations.

Pusha is endlessly entertaining not only because he is so technically sound and the epitome gangster rapper, but also because he is able to convey such emotional depth in his street tales. The backdrop of the drug game is used just as a foundation. To call MNIMN coke-rap is like calling Breaking Bad a show about science--it simply doesn't do justice to the epic scale and attention to detail.

Along with some of the best punch lines of his career,  MNIMN shows that Pusha can lay his signature style over a variety of beats. Rhythms like that of 40 Acres are rarely what come to mind when you think of the gritty MC, but he handles it wonderfully.

More than anything, I am impressed that he can still think of different punchlines about cocaine. How does one man not run out of coke punchlines? I wouldn't be surprised if he has a guy in his entourage who just throws out random topics so that Pusha can think of punchlines relating to them.

Pusha: Give me a topic
Entourage guy: The Nazis
Pusha: We got it from the heights/but we wanted it purer/ blonde haired blue eyes like the furher !!
Entrourage guy: Cool. Can we go to the club now?


Cuushe "Airy Me"

Tuesday, October 15, 2013

Drake - Nothing Was the Same

Drake's Take Care is a modern classic in some circles. I happen to traverse through those circles from time to time, and I have always been a champion of one Drizzy. This made me expect great things from his newest release, Nothing Was the Same.

While the highs are incredibly high on Nothing Was the Same, it is a victim to its creator's own complete self-confidence. This album is Drake turned, but never Turnt, up to 11. This means that, while you are guaranteed a few infectious hooks, dense on-the-nose rhyme structures and room-clearing punchlines, you are also left with what feels like hours of emo rap. As one of my friends put it, it seems like Drake has no reluctance in airing out grievances and/or dirty laundry. All one has to do is play a beat, and he will gladly shit on anything, pour out his emotions and expect you to listen. This can be grating, even if you are nodding  your head at the time.

There are five undeniably dope songs and the rest of the filler that,  while better than 90% of other rapper's filler, are just okay and prevent this record from being a classic. I still rate the record a strong B--maybe even a B+--but it isn't a record that will stay in rotation from front to back.

Also, I am worried that Drake will soon run out of relationships to complain about and move on to mere acquaintances. So watch out, Starbucks baristas! Take heed, girl who didn't return Drake's crayons in second grade! There may well be a diss track coming for you in the near future.


All jokes aside, I am a fan and I gotta tip my hat to man who at least TRIES to make a great record each time he puts one out. The production is certainly on point and Drake at his best is one of my favorite things to listen to. I wish it was a little better, but that doesn't mean it isn't damn good.


Where did you go....my blogger?!?!

I wanna know
where did you go?
My blogger?
I wanna know
where did you go ohohohaaahhohoh





Answer: I have no functioning computer at mi casa. Lo siento. It's hard out here for a pimp.

Wednesday, October 2, 2013

Lorde "Royals"

The interwebs are all atwitter (see what I did there) with praise for Lorde and her single "Royals". While I think it is ALRIGHT, I can't really explain why this is unanimously loved while LDR was fuckin' crucified.

Such is the power of being precocious, I suppose.